The query relating to the authorship of the hymn “Beulah Land” typically results in Edgar Web page Stites, who copyrighted the lyrics in 1876. Stites tailored and expanded an earlier poem, “Beulah,” by Mary Ann Kidder, revealed in 1870. Whereas Stites is credited with the generally sung model, understanding its evolution requires acknowledging Kidder’s unique contribution. John R. Sweney composed the music for the hymn.
This hymn holds a major place in American spiritual historical past, notably inside Methodist and Baptist traditions. Its evocative imagery of a peaceable, heavenly realm resonated with congregations looking for solace and non secular consolation. Rising throughout the post-Civil Struggle period, it supplied hope and a imaginative and prescient of everlasting relaxation. The hymn’s enduring recognition stems from its easy, highly effective message of religion and its connection to a deeply rooted need for non secular achievement. Understanding its origins reveals a layered historical past of poetic and musical inspiration.